August 25, 26 & 27, 2017

2017 Artists


David Bromberg Quintet - For Americana godfather David Bromberg, it all began with the blues. His incredible journey spans five-and-a-half decades, and includes – but is not limited to – adventures with Bob Dylan, George Harrison, Jerry Garcia, and music and life lessons from seminal blues guitarist Reverend Gary Davis, who claimed the young Bromberg as a son. A musician’s musician, Bromberg’s mastery of several stringed instruments (guitar, fiddle, Dobro, mandolin), and multiple styles is legendary, leading Dr. John to declare him an American icon. In producing John Hartford’s hugely influential Aereo-Plain LP, Bromberg even co-invented a genre: Newgrass. Add in a period of self-imposed exile from his passion (1980-2002), during which he became a renowned violin expert, and Wilmington, Delaware’s cultural ambassador; top that off with a triumphant return to music-making, and you have an amazing tale leading back to one place: the blues. 

Now, with The Blues, the Whole Blues, and Nothing But the Blues, his first release for Red House Records, Bromberg and multi-Grammy-winning producer/accompanist Larry Campbell (Dylan, Levon Helm, Paul Simon) focus on the music David discovered in high school, when, circa late 50s, he was introduced to a friend’s dad’s collection of blues 78s. He’d only just taken up guitar as a means to pass the time while in bed with the measles. “I loved those 78s so much,” says David, “I taped them on a portable reel-to-reel, so I could listen at home and learn.”  That love is evident in The Blues, the Whole Blues and Nothing But the Blues. The album is both blues primer and an opportunity to witness a master embracing this distinctly American music with passion and grace.  

Although he remains the proprietor of the beloved David Bromberg Fine Violins in Wilmington, Delaware – “I love my shop,” he says – Bromberg makes time to tour with his quintet, and he’s already included every song in his live repertoire (save “Yield Not,” which requires a choir), from The Blues, the Whole Blues and Nothing But the Blues. As ever, he brings his characteristic devotional intensity to the music, invigorating his surprise third act with the same passion he felt as a teen, spinning those blues 78s, just before the road called.


The Steel Wheels - Hailing from the Blue Ridge Mountains of Virginia, The Steel Wheels are familiar with the traditions of folk music and how a string band is supposed to sound. In fact, they’ve been drawing on those steadfast traditions for more than a decade. Yet their name also evokes a sense of forward motion, which is clearly reflected in their latest album, Wild As We Came Here.  Then as now, The Steel Wheels’ style weaves through Americana and bluegrass music, folk and old-time music, and the acoustic poetry of the finest singer-songwriters. By incorporating percussion and keyboards into the sessions for the first time, Wild As We Came Here adds new textures to their catalog, as themes of discovery and perseverance run throughout the collection.


Laney Jones and the Spirits - The rise of Laney Jones from hobbyist to full-time professional musician has been something of a marvel. In the astonishing span of only a handful of years – the time most aspirants take to form a solid band – the 24-year-old went from coffeehouse dabbling to Berklee to paid music licensing...Along the way, she's amassed honors in esteemed competitions like the John Lennon Songwriting Contest and the NewSong Contest, performed on PBS alongside Alison Krauss, received positive press from publications like No Depression and Rolling Stone ("10 New Artists You Need to Know," February 2016) and gotten music licensed for clients like Pixar, Dreamworks and ABC.

.On her sophomore record, Laney Jones proves that she is in this for the long haul. She may be young but she questions philosophy with both her lyrics and her music with a sophistication usually reserved for veterans of the industry. Tackling relevant subjects like youth and growing up by mixing Millennial viewpoints with a retro sound, Jones manages to craft an album designed for the past, present, and future.

The Accidentals - Billboard's Breakout Band at SXSW 2015, Huffington Post’s Sweet Sixteen of 2016, and Yahoo Music’s Top Ten Bands to Watch 2017…

Described by John Sinkevics of Local Spins as “genre-melding indie-folk,” The Accidentals (Sav Buist and Katie Larson) exhibit “a musical and lyrical sophistication that oustrips most mainstream bands.” From 2012-2014, The Accidentals recorded three original albums, were guest artists on fifteen others, scored two films, and landed song placements in commercials, documentaries, and music compilations while playing over seven hundred live shows. THEN they graduated high school. After graduation from world-renowned Interlochen Arts Academy, The Accidentals added multi-instrumentalist-singer-songwriter, Michael Dause, as their touring/studio drummer and opened for musical greats such as; Andrew Bird, Sixto Rodriguez (Sugar Man), Brandi Carlile, Dar Williams, Ladysmith Black Mambazo, Ben Sollee, Rusted Root, The Wailers, Keller Williams, Arlo Guthrie, Martin Sexton, Joan Baez, and more. In 2015, they scored original pieces for a 72-piece orchestra, an opera-dance project with Son Lux, and a smaller 30-piece string ensemble while touring the US extensively. In June of 2016, they released a brand new, self-produced EP called Parking Lot, of which the single, “Michigan and Again,” went viral. They’re kicking off 2017 as major label artists, having signed a record deal with Sony Masterworks to release a full-length album in the second quarter of the year. Yahoo called it first – "this is the band to watch".

Ana Egge and The Sentimentals - We were always the outsiders,” says folk songwriter ANA EGGE of her early roots in a small North Dakota town of 50 people. “I was taught how to shoot a gun and how to enjoy alfalfa sprouts and tofu, raised by two back-to-the-land hippies. My folks loved the outdoors and eccentric people; I ran around barefoot and learned to ride a motorcycle when I was 5. I grew up with all the time and space in the world.” Egge has since traded the openness of the American Plains for the untamable wilderness of New York City, recorded eight albums, and worked with musical legends such as Ron Sexsmith and Steve Earle. She’s been around the horn of life’s experiences, having gotten married and become a mother, but that childhood spirit of freedom has matured on her latest album, Say That Now.

For the first time in a career with many highlights (including recordings with Steve Earle and Ron Sexsmith), Egge gave herself over to a co-writing/collaborative process, working with Danish indie band The Sentimentals to write and record the songs on “Say That Now” in Copenhagen. Egge’s signature blend of American prairie folk mixed with clarion-call country shines through. On “Promises to Break,” their combined voices rise in glorious church-steeple harmony. It’s a song Egge and Hansen wrote together that speaks to the universality of forbidden love: “On my shoulder’s my hometown I’m trying to escape / On my hand is the number for calling your name / It’s a matter of leaving before my lies come true / Before my hometown finds out about you.” Hansen’s subsequent song “He’s a Killer Now” is a heart-rending meditation on the kind of terrorism currently gripping Europe, looking at the tragic deaths in a 2015 Danish shooting from a mother’s perspective. “Away We Go Again” is Egge’s attempt to grapple with the shock of Michael Brown’s tragic death and the Ferguson protests. With good friends and loving family around them, Ana Egge & The Sentimentals found the space to create an album that looks both inward to the human journey and outward to the communities we build to survive this trip.

Charlie Parr - Many people play roots music, but few modern musicians live those roots like Minnesota’s Charlie Parr. Recording since the earliest days of the 21st century, Parr’s heartfelt and plaintive original folk blues and traditional spirituals don’t strive for authenticity: They are authentic.  It’s the music of a self-taught guitarist and banjo player who grew up without a TV but with his dad’s recordings of America’s musical founding fathers, including Charley Patton and Lightnin’ Hopkins, Woody Guthrie and Leadbelly. With his long scraggly hair, father-time beard, thrift-store workingman’s flannel and jeans, and emphatic, throaty voice, Parr looks and sounds like he would have fit right into Harry Smith’s “Anthology of American Folk Music.”


Jalan Crossland - Jalan Crossland is an “endemic Wyoming treasure” (Rita Basom–Wyoming Arts Council). He is widely acclaimed by audiences, critics, and his musical peers as being a premier acoustic guitarist, as well as banjo player, singer-songwriter, and engaging showman. Along with dozens of regional contest awards, his extraordinary guitar work earned him National Fingerstyle Guitar Championship honors in ’97 and the State Flatpick Championship title of his home state in 1999. In recognition for his contribution to the arts in Wyoming, he was bestowed with the Governor’s Arts Award in 2013.Magazines as far-ranging as the New York Times and No Depression have run features on him, and Paste Magazine included him and his ensemble as being among Wyoming’s top bands. He has made numerous television and radio appearances and is portrayed in the short film “Wyomericana”, which won the Laramie Film Festival in 2014. He’s been invited as the opening act on two national tours with Texas songwriting legend Robert Earl Keen. Jalan has released 7 albums of primarily his own songs, and performs throughout the U.S. and occasionally Europe, when he takes the notion.


Michaela Anne - Upon releasing her 2014 album, Ease My Mind (Kingswood Records), singer-songwriter Michaela Anne garnered considerable acclaim for her introspective songwriting. The New York Times praised the “plain-spoken songs of romantic regret and small-town longing” and the Village Voice listed it among its Top 5 Country Albums of the year. Since then, however, this once-solitary diarist has transformed herself into a gregarious storyteller. Michaela Anne has discovered her inner extrovert.  Bright Lights and the Fame (Kingswood Records), recorded at Farmland Studio in Nashville, is full of sharp observations and easy wit, with several upbeat numbers tailor-made for the dance floor of the nearest honky-tonk. Having recently relocated from Brooklyn to Nashville, Michaela Anne took advantage of the many collaborative writing opportunities Nashville has to offer as she developed her repertoire for the album. She’d met the Grammy-nominated producer Dave Brainard (Brandy Clark, Jerrod Nieman) after opening for singer Clark at the Highline Ballroom in Manhattan and co-wrote two tracks.  Along with producer Knobler, a few more Brooklyn ex-pats join Michaela Anne on Bright Lights and the Fame. Punch Brother Noam Pikelney plays banjo on “Worrying Mind” and singer Kristin Andreassen co-wrote “Luisa.” Other guest stars include singers Cory Chisel and Erin Rae, and Rodney Crowell, arguably the progenitor of today’s Americana sound.


The Yellow-Bellied Sapsuckers - The Yellow-Bellied Sapsuckers perform original songs and tunes inspired by the classic hillbilly, country-duo, and old-time musical traditions--and also mines this same repertoire for forgotten gems that deserve to be heard again.

Their 2015 album, "Ocooch Mountain Home," (their second), has received high praise from the likes of fROOTS, Bluegrass Today, and Country Music People UK.

Based in Soldiers Grove, WI, the Sapsuckers (Nikki Grossman, guitar, fiddle, and vocals; Joe Hart, guitar, mandolin, and vocals) perform frequent concerts, as well as square and contra dances, and they are known for the light touch and sense of humor they bring to their performance.


Kind Country - Kind music for kind people. Kind Country is an 8 piece Jamgrass band playing American standards as well as their own brand of Cosmic American music. Since their formation in 2012, the band has focused on creating live performances with high levels of improvisation and energy gathering with a goal of creating a moment of musical bliss that can be shared by audience members and band alike. Their newest album was released in November of 2015 and was produced by Ryan Young of Trampled By Turtles!


K. Jones & the Benzie Playboys - K. Jones & the Benzie Playboys are bringing the roots sound of southwest Louisiana’s Creole, Cajun, and Zydeco scene to the Great Lakes area.  The Playboys are dedicated to keeping the Cajun/Creole music alive with live performances for two-steppin’, waltzing, and smoking red hot zydeco dancing. Cajun/Creole French are common in many of the tunes they sing in the tradition of Amede Ardoin, Bois Sec, Canray Fontenot, Boozoo Chavis, John Delafose, the Balfa Brothers, Iry LeJune, Dennis McGee and many others.  The 10 button diatonic accordion of K. Jones is the driving force, with Jonah Powell on fiddle. Jamie Bernard is on the drums, and Doug Albright on bass. Mark Stoltz is the man on the scrubboard and tit’fer driving the beat.


The Lucky Dutch - The Lucky Dutch is an American roots-rock band from Illinois, formed in 2008 in Chicago by guitarist Nathan Graham and singer Claire Corriveau. They began their career as an indie band, performing extensively around Chicago’s bar and festival scene. In 2014, they released their first full length record, Bury the Night. In the past two years, they have toured extensively and performed with Marc Broussard, Jackson Mudd and Marc Ford of the Black Crowes.  Nathan Graham has been performing as a guitarist on the Chicago blues scene since he was 15 years old. Over the years, he has worked with musicians such as Buddy Guy, BB King, and Koko Taylor and has toured extensively with Carl Weatherby. Claire Corriveau has worked consistently as a performing musician since 2008, working with a wide variety of bands. She released a solo record in 2014, titled secrets i can’t keep.  

David Padula has been playing bass since 2006, working in a jazz trio through college before moving to Chicago in 2012. Ben Dacoba started playing drums at age 15 in Virginia. He draws inspiration from classic rock bands from the 60s and 70s and works as a touring drummer all around the country.

Dave Boutette & Kristi Davis - The special intimacy that only comes from sharing firelight is where Dave Boutette & Kristi Davis really shine. It’s the sharing of songs that holds all the magic.

Whether working out a set of saloon songs at a Michigan watering hole, or settling back for an evening of singing at a fire ring afterward Dave Boutette & Kristi Davis, who first performed together in their high school production of Carousel, will hold listeners as long as they keep the lights on or until the rain starts. Stories, advice, observations, or raffles are as apt to appear during a performance as are the songs. Blending many schools of American roots and popular music including folk, blues, swing, and old time country, their tunes testify to the power of true love, rebirth, good coffee, and migrating fish.

Influenced by songwriters that span from Chuck Berry to Guy Clark, Dave’s original songs document the trips and triumphs of life between the coasts. Boutette & Davis easily reveal a Michigan experience worthy of a second look with performances that are as charming as they are engaging.

Before stepping out into the acoustic world, Boutette put in ten years with the Detroit-based alterna-rock bar kings The Junk Monkeys. The band toured the nation relentlessly supporting such acts as The Goo Goo Dolls, The Ramones, and Hootie and the Blowfish, while recording under the Warner Bros./Metal Blade label.

Kristi Davis is no stranger to the stage—it’s been her home away from home since she was a kid. Before teaming up with Dave, Kristi logged in about 1,200 performances and 240,000 kicks as a Radio City Rockette, in addition to traveling the globe as a professional dancer and singer. She’s even been published a memoir of her adventures in show business.

Not Quite Canada - A funk-jam explosion of modern and classic psychedelic rock hailing from Marquette, Michigan. Mashing classic rock tone and a jamtronic modern funk feel provides a sound enjoyed by young and old in the music scene. Not Quite Canada is a colorful wave from the shores of lake superior crashing across the midwest gaining traction in its path. In only three years since the bands birth NQC has already began opening for big name acts such as Papadosio, The Werks and Jon Wayne and The Pain. NQC has quickly become a staple jam-band in the Michigan and Midwest scene.


Paul “Mayo” Mayasich - Paul's natural musical talent on guitar, especially slide, both in concert and on recordings, has garnered worldwide praise from his colleagues, critics, and publications such as Vintage Guitar and Blues Matters/UK, drawing comparisons to the work of Duane Allman, Lowell George, Ry Cooder and Sonny Landreth. Paul's performances include originals along with interpretations of recognizable and b-sides from Bill Withers, Mark Knopfler, Roy Buchanan, John Hiatt, Ry Cooder, Gregg Allman, Lonnie Mack and more. His rich vocals have been receiving as much attention from fans as his guitar tone and melodic riffs.  Paul is a generous performer and for many years has hosted a "Hot Seat" Concert Series in Minneapolis/St. Paul venues showcasing local and regional guest artists representing a variety of genres. No rehearsals and no egos are his only rules. Paul recently was awarded the 2016 "Blues Performer" and inducted into the Minnesota Blues Society Hall of Fame.


The Go Rounds- The Kalamazoo quartet has been a dominant force in the Michigan music landscape for the last 5 years, releasing 4 LPs, 4 EPs, and playing countless Great Lakes music festivals including Wheatland Music Festival, Blissfest, Hoxeyville Music Festival, Earthwork Harvest Gathering, Farmblock Fest, Short’s Anniversary XII, Buttermilk Jamboree, Farmfest, Founder’s Fest, DunnDunn Fest, Traverse City Microbrew and Music Fest, Mile of Music, and Holler Fest.

Some of the major acts The Go Rounds have supported include Greensky Bluegrass, Hard Working Americans, Vulpeck, Billy Strings, Keller Williams, Bruce Hornsby, Arlo Guthrie, Asleep at the Wheel, Mickey Hart, and Railroad Earth. The songs are catchy, twangy, and trippy – led by the creative force of frontman Graham Parsons, whose spellbinding vocals weave through lush sonic textures as the band puts on a master class of intricate arrangements. Their powerful and dynamic live show has earned them a reputation as one of the best live bands in the Midwest.


Dede and the Dreamers - Described as Psychedelic/Folk/Jazz music Dede and the Dreamers will mesmerize you and send you into a dream world with sweet melodies and full sounds to tantalize your brain. This collaboration will have you snapping your fingers, singing along, dancing with your lover, and cuddling up to your closest friends.

The Harmaleighs - The Harmaleighs is composed of Haley Grant (guitar/vocals) and Kaylee Jasperson (bass/vocals). Since the duo came together in early 2013, their sound has transformed from an Americana cadence into a unique indie pop/folk fusion. Their anecdotal lyrics are sung through intimately blended harmonies on top of dynamic melodies and bluesy guitar riffs. Hearing The Harmaleighs is like seeing old friends and recounting stories—comfortable and relatable with a healthy dose of witty banter.

Yvonne Blake - Yvonne Blake of Ontonagon, Michigan, is a popular performer at various local events. Yvonne has played on Sunday at the Porcupine Mountains Music Festival every year since the very first event in 2005. Her latest CD ‘Hold on’ released in 2012, was recorded at Ricky Skaggs’ “Skaggs Place Studios” in Hendersonville, Tennessee. ‘Hold on’ was engineered and produced by Lee Groitzsch, formerly of Ontonagon. Yvonne has always felt a connection to music deep inside and ever since she was a young girl, she has used the power of music to uplift both herself and her listeners. “Music is very special” she said, “it reaches people like nothing else.”